if I had to pick two internet personalities to have as parents I would pick dril and critikal
attending a parent-teacher conference for my bullshit son, I hopp up on her desk whenever she tries to speak. i will not be held accountable for the failings of my dickspawn
remember to rate the child, comment the child, and subscribe if you want to see more children like this one. see ya
Felt nice today, idk
Uromastyx likes her belly rubbed
this is a fucking lizard getting her belly rubbed if you don’t think that’s the cutest shit then get out of my blog
LOOK AT ITS LIL ARMS FLAPPING AWWWWWWWW
Jessica Simpson’s been working out…check out her calves
Wonder woman calves
Why You Shouldn’t Take Selfies Right Next to a Moving Train
im sorry but
So the guy on the train stuck his foot out??? Lmfao
For most superheroes, fighting for truth and justice means fighting for the status quo. The typical plot: Supervillain(s) attempts to take over the world and/or steal property; superhero(es) stop them.
The journey from disjunction to order is only emphasized by the fact that the heroes are themselves often outsiders in some way. Superman is an immigrant; Batman has a traumatic childhood backstory; the X-Men are policed and persecuted mutants. Yet despite the fact that they are underdogs, the heroes nonetheless fight for the mainstream authorities. Thus superheroes are often fantasies of assimilation—a dream of outsiders being accepted by, or turning into, insiders.
At best, that fantasy offers a promise of acceptance to everyone, making for an inclusive vision of the American dream. At worst, superheroes end up as establishment lackeys, marginalized individuals currying favor with the mainstream by targeting other excluded groups on behalf of the Man.
Twenty-five years ago, though, in 1989 writer Grant Morrison and artist Richard Case began working on Doom Patrol, a comic that ended up telling a different kind of superhero story. Over four years and 44 issues, Morrison, Case, and a number of other fill-in artists inverted the usual connection between heroes and the law.
Read more. [Image: DC]
The most important line in the whole damn song. MESSAGE.
The only historically accurate line in the whole film.